The lighting and color gives the shot an eerie feel. Style in brickfilm is hard because everything is so small. Style is what makes a film, any film, great. Lego Brickfilm “Asteroid Strike, Comet Encounter” LEGO Film Action HD What is more important than fps is how well you understand the frame rate at which you’re shooting you will understand what every movement you make will look like when it’s done. That 70’s kid and his toys film at even less. Some people assume that a great animation is shot at 24 fps, (frames per second) but many, such as Fancy Pants, only shoot at 15 fps. You don’t need a high frame rate for your animation to look good. Higher frame rate doesn’t mean better animation.I would suggest sliding the set instead of the tripod because it’s easier to control incremental movements with a base plate. ![]() ![]() One is to slide the tripod or, two, slide the set. Lets say there is a shot of a minifigure walking down the beach and the camera is following him. Wear a black shirt or use paper (see below) to reduce reflection.Use lights that are positioned directly over the set so that you don’t cast a shadow.Cover your windows with curtains or cover the window completely.My never ending battle with light flicker has taught me some tricks to deal with it. Light flicker is where the light is inconsistent from frame to frame. This makes your brickfilms look ugly and unprofessional. Using ease in ease out can help make the motion in your film more life-like.Īt each end, the pendulum slows to a stop. This rule is not without exceptions, such as someone falling to the ground. In real life, every action starts slow, speeds up and slows down. In my opinion, the most relevant to brick filming is number 6, slow in slow out, also known as ease in ease out. In it, they covered the 12 principals of animation (here’s a link to all 12 in video form) ). You can see his face much better when the camera is at eye level.ĭisney’s Frank Thomas and Ollie Johnston wrote a book called “The Illusion of Life”. Look at how you can barely see his face when the camera is above eye level. Though this can be difficult when filming LEGO minifigures, I really think its worth it. The reason this is important is because it helps make suspension of disbelief (the audience feels like the story is happening, even if it is unfeasible). ![]() Lapse it and stop motion studios both have free versions, with less functions and tools.Įye level or eye contact is where the camera is parallel to the subject. For me it kept crashing and wasn’t pairing with my cannon rebel t2i, even though it said it was compatible. The reviews for iStopmotion 3 ($19.99) are really bad.
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